{"id":360474,"date":"2025-06-22T11:27:57","date_gmt":"2025-06-22T08:27:57","guid":{"rendered":"https:\/\/sana.sy\/en\/?p=360474"},"modified":"2025-06-22T11:27:57","modified_gmt":"2025-06-22T08:27:57","slug":"a-visual-documentation-of-the-syrian-pain-in-an-exhibition-art-by-artist-fatima-sheikh-al-shabab","status":"publish","type":"post","link":"https:\/\/archive.sana.sy\/en\/?p=360474","title":{"rendered":"A visual documentation of the Syrian pain in an exhibition art by artist Fatima Sheikh al-Shabab"},"content":{"rendered":"<p style=\"text-align: justify;\">Damascus, SANA-The first solo exhibition by visual artist Fatima Sheikh al-Shabab embraced abstraction to convey the human anguish experienced by Syrians during the years of revolution and siege.<\/p>\n<p style=\"text-align: justify;\">Titled &#8220;Anin&#8221; (&#8220;Groan&#8221;), and hosted by the Mustafa Ali Gallery in Old Damascus city, the exhibition presents 21 paintings. Fatima adopts an expressive approach verging on abstraction, incorporating a variety of materials\u2014most notably acrylic, alongside charcoal and pastel.<a href=\"http:\/\/sana.sy\/en\/wp-content\/uploads\/2025\/06\/11-2.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-360476 alignleft\" src=\"http:\/\/sana.sy\/en\/wp-content\/uploads\/2025\/06\/11-2.png\" alt=\"\" width=\"300\" height=\"199\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Among the exhibition\u2019s most prominent pieces is a painting of the Syrian child Alan, who drowned during migration. The piece serves as a symbol of a childhood lost too soon. Fatima depicts him as a sorrowful spirit, his toy still by his side, embodying the deep sense of abandonment felt by many attempting to flee hunger and siege.<\/p>\n<p style=\"text-align: justify;\">Fatima, a graduate of the Department of Interior Architecture at the Faculty of Fine Arts, told SANA: \u201cAnin\u201d is the essence of emotions and stories I lived and heard during the difficult years our country has endured. Through this exhibition, I sought to portray the psychological state that accompanied Syrians during that period\u2014beyond the war scenes, focusing instead on the individual and their daily struggle.<\/p>\n<p style=\"text-align: justify;\">She noted the support she received from the Union of Fine Artists and the Ministry of Culture, saying,: &#8220;I sensed a warm welcome and clear interest from both institutions. It\u2019s an encouraging step for any young artist seeking to share their experience and connect with the public through their art.\u201d<\/p>\n<div id='gallery-1' class='gallery galleryid-360474 gallery-columns-1 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/archive.sana.sy\/en\/?attachment_id=360477'><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"427\" src=\"https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/00000.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/00000.png 700w, https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/00000-300x183.png 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/archive.sana.sy\/en\/?attachment_id=360478'><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"466\" src=\"https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/0000.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/0000.png 700w, https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/0000-300x200.png 300w, https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/0000-310x205.png 310w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/archive.sana.sy\/en\/?attachment_id=360479'><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"370\" src=\"https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/000.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/000.png 660w, https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/000-300x168.png 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/archive.sana.sy\/en\/?attachment_id=360480'><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"370\" src=\"https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/00.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/00.png 660w, https:\/\/archive.sana.sy\/en\/wp-content\/uploads\/2025\/06\/00-300x168.png 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p style=\"text-align: justify;\">Manar \/Adnan<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Damascus, SANA-The first solo exhibition by visual artist Fatima Sheikh al-Shabab embraced abstraction to convey the human anguish experienced by Syrians during the years of revolution and siege. Titled &#8220;Anin&#8221; (&#8220;Groan&#8221;), and hosted by the Mustafa Ali Gallery in Old Damascus city, the exhibition presents 21 paintings. Fatima adopts an expressive approach verging on abstraction, &hellip;<\/p>\n","protected":false},"author":25,"featured_media":360475,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,6987,115,23],"tags":[],"class_list":["post-360474","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-arts-culture","category-latest-news","category-local","category-news-bar"],"_links":{"self":[{"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=\/wp\/v2\/posts\/360474"}],"collection":[{"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=360474"}],"version-history":[{"count":1,"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=\/wp\/v2\/posts\/360474\/revisions"}],"predecessor-version":[{"id":360481,"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=\/wp\/v2\/posts\/360474\/revisions\/360481"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=\/wp\/v2\/media\/360475"}],"wp:attachment":[{"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=360474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=360474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.sana.sy\/en\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=360474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}