{"id":313998,"date":"2024-02-06T14:03:30","date_gmt":"2024-02-06T11:03:30","guid":{"rendered":"https:\/\/sana.sy\/fr\/?p=313998"},"modified":"2024-02-06T14:03:30","modified_gmt":"2024-02-06T11:03:30","slug":"fin-des-operations-techniques-du-film-najma-qui-simule-le-desastre-du-seisme-en-syrie","status":"publish","type":"post","link":"https:\/\/archive.sana.sy\/fr\/?p=313998","title":{"rendered":"Fin des op\u00e9rations techniques du film \u00ab Najma \u00bb, qui simule le d\u00e9sastre du s\u00e9isme en Syrie"},"content":{"rendered":"

Damas-SANA \/ Le sc\u00e9nariste et r\u00e9alisateur Mohamed Samir Tahan a achev\u00e9 le processus technique du court m\u00e9trage intitul\u00e9 Najma, produit par l\u2019Organisation g\u00e9n\u00e9rale du cin\u00e9ma, et regroupant un certain nombre d’artistes et d’enfants.<\/p>\n

La promotion du film a \u00e9t\u00e9 lanc\u00e9e \u00e0 l’occasion du douloureux souvenir du d\u00e9sastre du tremblement de terre qui avait frapp\u00e9 la Syrie le 6 f\u00e9vrier dernier.<\/p>\n

Tahan a indiqu\u00e9 que le film d\u00e9montre indirectement les impacts catastrophiques du tremblement de terre sur la soci\u00e9t\u00e9 syrienne \u00e0 travers une histoire dramatique dont les h\u00e9ros sont des enfants, et \u00e0 travers leurs yeux, nous voyons la destruction des infrastructures et la perte des personnes ch\u00e8res, en plus de nombreux cas et initiatives humanitaires, et de nombreuses activit\u00e9s caritatives et solidaires, dont le h\u00e9ros a \u00e9t\u00e9 la soci\u00e9t\u00e9 syrienne.<\/p>\n

\"\"<\/p>\n

W.H.\/ L.A.<\/p>\n","protected":false},"excerpt":{"rendered":"

Damas-SANA \/ Le sc\u00e9nariste et r\u00e9alisateur Mohamed Samir Tahan a achev\u00e9 le processus technique du court m\u00e9trage intitul\u00e9 Najma, produit par l\u2019Organisation g\u00e9n\u00e9rale du cin\u00e9ma, et regroupant un certain nombre d’artistes et d’enfants. La promotion du film a \u00e9t\u00e9 lanc\u00e9e \u00e0 l’occasion du douloureux souvenir du d\u00e9sastre du tremblement de terre qui avait frapp\u00e9 la …<\/p>\n","protected":false},"author":30,"featured_media":313999,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[513,5924,617],"tags":[],"class_list":["post-313998","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-culture-et-arts","category-les-dernieres-nouvelles","category-ticker"],"_links":{"self":[{"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=\/wp\/v2\/posts\/313998"}],"collection":[{"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=313998"}],"version-history":[{"count":1,"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=\/wp\/v2\/posts\/313998\/revisions"}],"predecessor-version":[{"id":314001,"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=\/wp\/v2\/posts\/313998\/revisions\/314001"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=\/wp\/v2\/media\/313999"}],"wp:attachment":[{"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=313998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=313998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.sana.sy\/fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=313998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}