\u015eAM – Yazar Samer Muhammed \u0130smail’in “renk d\u00fczeltme” tiyatrosundan uyarlanan (Korku) metni, Frans\u0131zca’ya ve Uluslararas\u0131 Eurodram A\u011f\u0131’nda (D\u00fcnya Tiyatro Otoritesi) mutemet t\u00fcm diller \u00e7evrilmesi i\u00e7in, 2020 Avrupa Drama A\u011f\u0131 (Eurodram) \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131.<\/p>\n
Uluslararas\u0131 Tiyatro Otoritesine g\u00f6nderilen yazar \u0130smail’in metni, Arap\u00e7a dilinde iki metinle birlikte se\u00e7ildi. \u00a0ge\u00e7en y\u0131l yar\u0131\u015fmaya g\u00f6nderilen 841 metni okumak i\u00e7in \u00e7al\u0131\u015fan 29 dil komitesini olu\u015fturan 290 \u00fcye taraf\u0131ndan de\u011ferlendirildi.<\/p>\n
“Korku” ile birlikte se\u00e7ilen Arap\u00e7a metinler, Ammar Nema Cabir taraf\u0131ndan yaz\u0131lan (Dip) ve Karma Sami taraf\u0131ndan yaz\u0131lan (Behiye ve Be\u015f M\u0131s\u0131r \u0130mgesi)dir.<\/p>\n
SANA’ya yapt\u0131\u011f\u0131 a\u00e7\u0131klamada yazar Samir \u0130smail, “Avrupa Drama A\u011f\u0131 \u00d6d\u00fcl\u00fc, Suriye’nin hayal g\u00fcc\u00fcne bir \u00f6vg\u00fcd\u00fcr, ki bu uzun y\u0131llar haks\u0131z TV al\u0131m\u0131ndan sonra kendini tekrar arama s\u00fcrecinde oldu\u011funa inan\u0131yorum. Tiyatro metinlerimizin yabanc\u0131 dillere ula\u015fmas\u0131 ve yabanc\u0131 sanat\u00e7\u0131lar taraf\u0131ndan terc\u00fcme edildikten sonra ara\u015ft\u0131r\u0131lma f\u0131rsat\u0131 elde etmek i\u00e7in ithal edilen tiyatro metinlerinin tozundan uzak ger\u00e7eklikle \u00e7at\u0131\u015fmaya kadir ancak yeni ve g\u00fcncel bir tiyatro metninin yaz\u0131lmas\u0131yla ba\u015far\u0131labilir” dedi.<\/p>\n
Suriyeli ayd\u0131nlar\u0131n tiyatro edebiyat\u0131ndan derlenen k\u00fct\u00fcphane metinlerini \u00e7ekmekten yoruldu\u011funu s\u00f6yleyen \u0130smail, Korona vir\u00fcs\u00fc salg\u0131n\u0131 taraf\u0131ndan etkilenen yeni bir yaz\u0131l\u0131 kavray\u0131\u015f\u0131n ortaya \u00e7\u0131kmas\u0131na, d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki tiyatrolarda ve d\u00fcnyan\u0131n geni\u015f duvarlar\u0131nda sergilenen yeni bir i\u00e7g\u00f6r\u00fc ortaya \u00e7\u0131kmas\u0131na y\u00f6nelik umudunu dile getirdi.<\/p>\n
Uluslararas\u0131 Eurodram \u00d6d\u00fcl\u00fc, “Renk D\u00fczeltme” (Korku) tiyatro eserinin, Kartaca 2018 Tiyatro Festivalinde En \u0130yi Metin \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131ktan sonra kazand\u0131\u011f\u0131 ikinci \u00f6d\u00fcl olup \u015eam’daki Ulusal Tiyatro ve baz\u0131 illerde, ba\u015frolde Miryana Maluli ve Kartaca Tiyatro Festivalinde en iyi erkek oyuncu \u00f6d\u00fcl\u00fcn\u00fc alan Yusuf El Mukbil taraf\u0131ndan sergilendi.<\/p>\n","protected":false},"excerpt":{"rendered":"
\u015eAM – Yazar Samer Muhammed \u0130smail’in “renk d\u00fczeltme” tiyatrosundan uyarlanan (Korku) metni, Frans\u0131zca’ya ve Uluslararas\u0131 Eurodram A\u011f\u0131’nda (D\u00fcnya Tiyatro Otoritesi) mutemet t\u00fcm diller \u00e7evrilmesi i\u00e7in, 2020 Avrupa Drama A\u011f\u0131 (Eurodram) \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131. Uluslararas\u0131 Tiyatro Otoritesine g\u00f6nderilen yazar \u0130smail’in metni, Arap\u00e7a dilinde iki metinle birlikte se\u00e7ildi. \u00a0ge\u00e7en y\u0131l yar\u0131\u015fmaya g\u00f6nderilen 841 metni okumak i\u00e7in \u00e7al\u0131\u015fan 29 …<\/p>\n","protected":false},"author":1,"featured_media":205631,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[479,511,17988,478],"tags":[],"class_list":["post-205630","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-haberler-yerel","category-kultur-ve-sanat","category-son-haberler","category-yerel"],"_links":{"self":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts\/205630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=205630"}],"version-history":[{"count":0,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts\/205630\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/media\/205631"}],"wp:attachment":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=205630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=205630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=205630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}