\u015eAM \u2013 Enformasyon Bakanl\u0131\u011f\u0131nda Radyo ve Televizyon Prod\u00fcksiyonu olan Kud\u00fcs Koruyucusu Dizisi, zalimin y\u00fcz\u00fcne kar\u015f\u0131 ezilenler i\u00e7in zafere eri\u015fen ulusal, manevi ve direni\u015f\u00e7i de\u011ferlerle Piskopos Hillarion Kappu\u00e7i’nin hayat\u0131n\u0131 anlatan i\u015fgalci \u0130srail varl\u0131\u011f\u0131yla normalle\u015fmeye te\u015fvik eden di\u011fer sanat yap\u0131tlar\u0131na kar\u015f\u0131 duruyor.<\/p>\n
Hasan M. Yusuf’un senaryosunu yazd\u0131\u011f\u0131, y\u00f6netmenli\u011fini ise Basil Hatip’in \u00fcstlendi\u011fi dizi, Piskopos Kappu\u00e7i’nin ya\u015fam\u0131n\u0131 ve y\u00f6netmenin, \u00e7ekim ve oyunculuk performans\u0131n\u0131n sanatsal y\u00f6n\u00fcn\u00fc izleyen metinden ilgin\u00e7 bir sanatsal \u015fablon ve profesyonel standartlar ile de\u011ferli i\u00e7erik sunarak y\u00fcksek izleyici denklemini sa\u011flamay\u0131 ba\u015fard\u0131.<\/p>\n
Kud\u00fcs Koruyucusu dizisine, Filistin davas\u0131yla ilgili milliyet\u00e7ilik ve Piskopos Kappu\u00e7i’nin farkl\u0131 zamanlarda ya\u015fad\u0131\u011f\u0131 veya ziyaret etti\u011fi yerlerin ve bunlarla birlikte ziyaret edilen \u00fclkelerin \u00e7o\u011fullu\u011fu da dahil olmak \u00fczere, TV ve Radyo prod\u00fcksiyon kurumlar\u0131 aras\u0131nda en b\u00fcy\u00fck olarak kabul edilen bir \u00e7al\u0131\u015fmadaki adalet, Suriye’nin sevgisi ve y\u00fcceltilmesi ile ilgili ulusal olanlar da dahil olmak \u00fczere mekanlarda, i\u00e7erikte ve k\u0131yafetlerde g\u00f6rsel gizlilik dahil \u00e7e\u015fitli mesajlar dahil edildi.<\/p>\n
Dizi \u00e7al\u0131\u015fanlar\u0131n\u0131 \u00e7\u00f6z\u00fcm \u00fcretmeye iten \u015fey, izleyicilere t\u00fcm aksiyon sahnelerinin Suriye i\u00e7inde ve herhangi bir sahneyi restore etmek i\u00e7in ar\u015five ba\u015fvurmadan \u00e7ekildi\u011fini hissettirmedi.<\/p>\n
\u0130\u015fin en ilgin\u00e7 yan\u0131 ise dizi m\u00fczi\u011finden, dizi \u015fark\u0131s\u0131, kost\u00fcmler, aksesuarlar, dekor, \u00e7ekim ve \u0131\u015f\u0131kland\u0131rmalar\u0131n yan\u0131 s\u0131ra t\u00fcm oyuncular\u0131n ba\u015fta b\u00fcy\u00fck ve usta oyuncu Piskopos Kappu\u00e7i’yi oynayan Re\u015fit Assaf \u015fahsiyeti i\u00e7 i\u00e7e oynarken, Kappu\u00e7i’nin \u00e7ocuklu\u011funu oynayan Rebi Can ve gen\u00e7li\u011fini oynayan \u0130hab \u015eaban’\u0131n oyunculuklar\u0131 izlenmeye de\u011ferdi.<\/p>\n
Kud\u00fcs Koruyucusu dizisiyle ilgili olarak ele\u015ftirmen \u00d6mer Cuma, SANA K\u00fclt\u00fcr’e yapt\u0131\u011f\u0131 a\u00e7\u0131klamada, Filistin davas\u0131n\u0131n Filistin halk\u0131na adalet ve adaletsizli\u011fini g\u00f6stermek, Kud\u00fcs Koruyucusu ve tutumunun \u00f6nemini ve normalle\u015fme \u00e7a\u011fr\u0131lar\u0131yla, medya ve sanattan y\u00fczy\u0131l\u0131n anla\u015fmas\u0131 denilen kas\u0131tl\u0131 yoklu\u011funa ek olarak, Filistin davas\u0131na y\u00f6nelik tehditlere ula\u015ft\u0131\u011f\u0131 y\u00fcksek g\u00f6r\u00fc\u015f seviyelerini tekrarlamak amac\u0131yla dikkatinin b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fcn\u00fc verdi\u011fi ba\u015flang\u0131\u00e7tan itibaren \u00e7al\u0131\u015fman\u0131n Suriye dramas\u0131 taraf\u0131ndan benimsenen projelerin devam\u0131 oldu\u011funu s\u00f6yledi.<\/p>\n
Ele\u015ftirmen Cuma Kud\u00fcs’\u00fcn Koruyucusu’nu, \u00f6l\u00fcms\u00fcz sanatsal drama \u00e7al\u0131\u015fmas\u0131 olarak nitelerken yazar Hasan M. Yusuf ve y\u00f6netmen Basil El Hatib’\u0131n 1965’te Nakba, \u00e7a\u011fda\u015f Filistin devriminin ba\u015flang\u0131c\u0131n\u0131 ve i\u015fgali olan \u015feyleri ortaya \u00e7\u0131karan Filistin halk\u0131n\u0131n ac\u0131s\u0131n\u0131 azaltarak, ola\u011fan\u00fcst\u00fc bir rakamdan ziyade n\u00fcfuz etmeye ve Piskopos Kappu\u00e7i’nin insan taraf\u0131na derin bir odaklanmaya ek olarak, Kud\u00fcs Koruyucusu’nun \u015f\u00fcpheli normalizasyon dizilerine cevap olarak geldi\u011fini reddederek bu dizinin siyasi ve kamuya a\u00e7\u0131k olan d\u00fc\u015f\u00fck dizilerle kar\u015f\u0131la\u015ft\u0131rman\u0131n dizi hakk\u0131nda haks\u0131zl\u0131k olaca\u011f\u0131n\u0131 vurgulad\u0131.<\/p>\n
Ele\u015ftirmen Kud\u00fcs Koruyucusu’nun d\u00fcnya sahas\u0131nda pek yak\u0131nda bir\u00e7ok dile \u00e7evrilerek sunuldu\u011funda direnen, hak, hay\u0131r ve insanl\u0131\u011f\u0131 savunan Suriye’nin mesaj\u0131n\u0131 iyi bir \u015fekilde ta\u015f\u0131yaca\u011f\u0131n\u0131n beklendi\u011fini dile getirdi.<\/p>\n
Dizinin ba\u015frol\u00fcnde, Suriye dramas\u0131n\u0131n usta oyuncular\u0131ndan Samiye Cezairi, Sabah Cezairi, Selim Sabri, Emel Arafeh, Nadin Kaddur, Suzana el Vez, Ruba el Halabi, Sevsen Abu Affar, Cima Deryusi, Cemal Nassar ve di\u011ferleri yer al\u0131yor.<\/p>\n","protected":false},"excerpt":{"rendered":"
\u015eAM \u2013 Enformasyon Bakanl\u0131\u011f\u0131nda Radyo ve Televizyon Prod\u00fcksiyonu olan Kud\u00fcs Koruyucusu Dizisi, zalimin y\u00fcz\u00fcne kar\u015f\u0131 ezilenler i\u00e7in zafere eri\u015fen ulusal, manevi ve direni\u015f\u00e7i de\u011ferlerle Piskopos Hillarion Kappu\u00e7i’nin hayat\u0131n\u0131 anlatan i\u015fgalci \u0130srail varl\u0131\u011f\u0131yla normalle\u015fmeye te\u015fvik eden di\u011fer sanat yap\u0131tlar\u0131na kar\u015f\u0131 duruyor. Hasan M. Yusuf’un senaryosunu yazd\u0131\u011f\u0131, y\u00f6netmenli\u011fini ise Basil Hatip’in \u00fcstlendi\u011fi dizi, Piskopos Kappu\u00e7i’nin ya\u015fam\u0131n\u0131 ve …<\/p>\n","protected":false},"author":1,"featured_media":209562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[516,479,511,17988,478],"tags":[],"class_list":["post-209561","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-haberler-kultur-ve-sanat","category-haberler-yerel","category-kultur-ve-sanat","category-son-haberler","category-yerel"],"_links":{"self":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts\/209561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=209561"}],"version-history":[{"count":0,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts\/209561\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/media\/209562"}],"wp:attachment":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=209561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=209561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=209561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}