KAH\u0130RE – Suriye, \u015fu anda Kahire’de d\u00fczenlenen 31. Arap M\u00fczik Festivali ve Konferans\u0131’na kat\u0131ld\u0131 ve \u201cArap Lirik Tiyatrosunun ortaya \u00e7\u0131k\u0131\u015f\u0131 ve refah\u0131\u201d konusunu ele ald\u0131. \u00d6nc\u00fclerin opera deneyimleri ve Abu Khalil Al-Qabbani tiyatrosundan Arap \u00fclkelerinin zengin deneyimlerinin ve L\u00fcbnan, Bilad El \u015eam ve M\u0131s\u0131r’daki lirik tiyatro konular\u0131 ele al\u0131nd\u0131.<\/p>\n
Sulhi Al Vadi M\u00fczik Enstit\u00fcs\u00fc \u0130dari G\u00f6revlisi Abir Al Cabi, \u201cBilad el \u015eam ve M\u0131s\u0131r’da Lirik Tiyatro.. Kabbani ve Rahbaniler\u201d ba\u015fl\u0131kl\u0131 ara\u015ft\u0131rmas\u0131nda, m\u00fczikal tiyatronun ortaya \u00e7\u0131k\u0131\u015f\u0131n\u0131 belirleyen tarihsel arka plan\u0131 g\u00f6zden ge\u00e7irdi.<\/p>\n
Suriye ve \u015eam kafelerinde hikayeci taraf\u0131ndan sunulan pop\u00fcler hikayeler, geleneksel g\u00f6lge tiyatrosu \u201cKarag\u00f6z ve Ayvaz\u201d g\u00f6sterileri ve e\u015flik eden Samah dans\u0131 g\u00f6sterileri hakk\u0131nda bilgi verdi.<\/p>\n
Al Cabi, Al Kabbani’nin 1884’te Anas Al Celis adl\u0131 oyunu sundu\u011fundan beri daha \u00fcnl\u00fc oldu\u011funu ve bir\u00e7ok tiyatro \u00f6nc\u00fcs\u00fcn\u00fcn onun alt\u0131nda \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131, b\u00f6ylece faaliyetinin ve grubunun M\u0131s\u0131r’da 17 y\u0131l boyunca devam etti\u011fini, 1901’de Ye\u015fil E\u015fik’te kurdu\u011fu tiyatrosunu baz\u0131 hainlerin ve kindarlar\u0131n yakmas\u0131\u00a0 sebebiyle tiyatroyu terk etmeye karar verdi\u011fini a\u00e7\u0131klad\u0131.<\/p>\n
Al Cabi, Al Kabbani’nin ayr\u0131lmas\u0131ndan 50 y\u0131l sonra, lirik tiyatroda yeni ve \u00e7ok \u00f6nemli bir deneyimin \u00f6zelliklerinin, bayra\u011f\u0131 Asi ve Mansur Al Rahbani karde\u015flerle Feyruz’un ald\u0131\u011f\u0131n\u0131, Suriye ve L\u00fcbnan ba\u011f\u0131ms\u0131z \u00fclkeler haline gelse de, \u015eam Radyosu’nun Rahbani deneyini ba\u015flatmadaki rol\u00fc ve en \u00f6nemlisi \u015eam Enternasyonalindeki sanat festivalinin rol\u00fc nedeniyle, Rahbani deneyimi L\u00fcbnan’da ortaya \u00e7\u0131kmas\u0131na ra\u011fmen Bilad el \u015eam’a ait kald\u0131\u011f\u0131n\u0131 dile getirdi.<\/p>\n
Telegram_Kanal\u0131m\u0131z<\/a>\u00a0https:\/\/t.me\/SuriyeArapHaberAjans<\/a>\u0131<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" KAH\u0130RE – Suriye, \u015fu anda Kahire’de d\u00fczenlenen 31. Arap M\u00fczik Festivali ve Konferans\u0131’na kat\u0131ld\u0131 ve \u201cArap Lirik Tiyatrosunun ortaya \u00e7\u0131k\u0131\u015f\u0131 ve refah\u0131\u201d konusunu ele ald\u0131. \u00d6nc\u00fclerin opera deneyimleri ve Abu Khalil Al-Qabbani tiyatrosundan Arap \u00fclkelerinin zengin deneyimlerinin ve L\u00fcbnan, Bilad El \u015eam ve M\u0131s\u0131r’daki lirik tiyatro konular\u0131 ele al\u0131nd\u0131. Sulhi Al Vadi M\u00fczik Enstit\u00fcs\u00fc \u0130dari …<\/p>\n","protected":false},"author":36,"featured_media":265178,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[458,516,459,511,17988],"tags":[],"class_list":["post-265177","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-dunya1","category-haberler-kultur-ve-sanat","category-haberler-arap-uluslararasi-politika","category-kultur-ve-sanat","category-son-haberler"],"_links":{"self":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts\/265177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=265177"}],"version-history":[{"count":0,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts\/265177\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/media\/265178"}],"wp:attachment":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=265177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=265177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=265177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}