{"id":297136,"date":"2024-02-17T06:44:27","date_gmt":"2024-02-17T03:44:27","guid":{"rendered":"https:\/\/sana.sy\/tr\/?p=297136"},"modified":"2024-02-17T15:46:31","modified_gmt":"2024-02-17T12:46:31","slug":"suriye-ikonu-kendi-adina-konusan-yasayan-bir-tarihtir","status":"publish","type":"post","link":"https:\/\/archive.sana.sy\/tr\/?p=297136","title":{"rendered":"Suriye \u0130konu… Kendi Ad\u0131na Konu\u015fan Ya\u015fayan Bir Tarihtir"},"content":{"rendered":"

\u015eAM 17 \u015eUBAT (SANA)<\/strong> –\u00a0 \u0130kon boyama sanat\u0131, dini fikir veya olaylar\u0131n manevi ve tarihi karakter ta\u015f\u0131yan resimler halinde t\u00fcm detaylar\u0131yla somutla\u015ft\u0131r\u0131larak yans\u0131mas\u0131n\u0131 olu\u015fturur. Suriye, bu zengin sanat alan\u0131nda yenilik yapan ve d\u00fcnyaya aktar\u0131lmas\u0131na katk\u0131 sa\u011flayan ilk \u00fclkelerden biri olmas\u0131 a\u00e7\u0131s\u0131ndan benzersizdir.<\/p>\n

SANA muhabiri, kendi ad\u0131na konu\u015fan, ya\u015fayan bir tarih olu\u015fturan bu farkl\u0131 sanat hakk\u0131nda detayl\u0131 konu\u015fmak i\u00e7in tarih ara\u015ft\u0131rmac\u0131s\u0131 Elham Mahfoud ile g\u00f6r\u00fc\u015ft\u00fc.<\/p>\n

Ara\u015ft\u0131rmac\u0131, ikonlar\u0131 kiliselerin duvarlar\u0131na yay\u0131lan, peygamberlerin ve azizlerin hikayelerini anlatan ve zamanla insanlara H\u0131ristiyan dininin \u00f6\u011fretilerini \u00f6\u011fretme arac\u0131 haline gelen resimler olarak tan\u0131mlayarak, konun Do\u011fu Kilisesi’nde kutsal imgeleri belirtmek i\u00e7in kullan\u0131lan yayg\u0131n bir terim oldu\u011funu vurgulad\u0131.<\/p>\n

Bu sanat\u0131n Suriye’de ortaya \u00e7\u0131k\u0131\u015f\u0131yla ilgili Mahfud, MS 6. y\u00fczy\u0131lda Bizans devletinin ortaya \u00e7\u0131kmas\u0131yla birlikte tap\u0131nak ve kiliselerde mozaik ve fresklerden olu\u015fan fig\u00fcratif s\u00fcslemelerin ortaya \u00e7\u0131kmaya ba\u015flad\u0131\u011f\u0131n\u0131, H\u0131ristiyan dinini somutla\u015ft\u0131ran ikona sanat\u0131n\u0131n ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 anlatt\u0131. temalar. Genellikle bak\u0131r \u00e7er\u00e7eveli ah\u015fap paneller \u00fczerine boyanan resimler, b\u00f6lge halklar\u0131n\u0131n pop\u00fcler, ideolojik ve manevi miras\u0131n\u0131 yans\u0131t\u0131yordu.<\/p>\n

Ara\u015ft\u0131rmac\u0131 Mahfud, \u2018\u2019 Bu sanat\u0131n k\u00f6kleri, sanat\u00e7\u0131lar\u0131n ah\u015fap panellere insan y\u00fczleri \u00e7izdi\u011fi H\u0131ristiyanl\u0131k \u00f6ncesi Yunan ve Roma d\u00f6nemlerine kadar uzan\u0131yor. Ancak Bizans Kilisesi bunu pagan inan\u00e7lar\u0131n\u0131n kavramlar\u0131n\u0131 tersine \u00e7evirmek i\u00e7in bir ikna, meditasyon ve sayg\u0131 arac\u0131 olarak benimsedi\u2019\u2019 ifadelerini kulland\u0131.<\/p>\n

\u0130konalarda en \u00e7ok i\u015flenen konular\u0131n Hz. \u0130sa’n\u0131n hayat\u0131ndan d\u00f6nemler, dini olaylar, Meryem Ana ve aziz tasvirleri oldu\u011funu, buna \u00f6rnek olarak Dora Orius kiliselerindeki duvar resimlerinin verildi\u011fini belirten Mahfud, renk kar\u0131\u015ft\u0131rma teknikleri ve b\u00fcy\u00fck oranda al\u00e7\u0131, kum, magnezyum ve mineral bile\u015fimlerinden olu\u015fan temelleri de dahil olmak \u00fczere Nogravia’n\u0131n Palmira ikonu oldu\u011funu ifade etti.<\/p>\n

Mahfouz’a g\u00f6re ikona yapma sanat\u0131n\u0131n \u00f6zel bir tekni\u011fi var: Foto\u011fraf\u00e7\u0131 bir par\u00e7a kavak, ceviz ya da selvi a\u011fac\u0131n\u0131 kullan\u0131yor ve \u00f6n taraf\u0131n\u0131 bezle kapl\u0131yor.<\/p>\n

Mahfud, ikon sanat\u0131n\u0131n Suriye ve Irak’taki foto\u011fraf ve heykel sanat\u0131yla ili\u015fkisini, ikonlarda kullan\u0131lan gemi, g\u00fcvercin, bal\u0131k, \u00e7apa, tavus ku\u015fu gibi sembolleri anlat\u0131rken da, b\u00f6lgede devam eden sava\u015flar s\u0131ras\u0131nda h\u0131rs\u0131zl\u0131k, y\u0131k\u0131m ve y\u0131k\u0131ma maruz kalan bu milli zenginli\u011fin korunmas\u0131nda Suriye’nin rol\u00fcn\u00fcn, burada bulunan t\u00fcm arkeolojik ikonalar\u0131n korunmas\u0131 amac\u0131yla Eski Eserler ve M\u00fczeler Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc ile belgelenerek vurguland\u0131\u011f\u0131n\u0131 vurgulad\u0131.<\/p>\n

Telegram Kanal\u0131m\u0131z\u00a0<\/a>||X Platformumuz\u00a0<\/a>||Facebook Sayfam\u0131z<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u015eAM 17 \u015eUBAT (SANA) –\u00a0 \u0130kon boyama sanat\u0131, dini fikir veya olaylar\u0131n manevi ve tarihi karakter ta\u015f\u0131yan resimler halinde t\u00fcm detaylar\u0131yla somutla\u015ft\u0131r\u0131larak yans\u0131mas\u0131n\u0131 olu\u015fturur. Suriye, bu zengin sanat alan\u0131nda yenilik yapan ve d\u00fcnyaya aktar\u0131lmas\u0131na katk\u0131 sa\u011flayan ilk \u00fclkelerden biri olmas\u0131 a\u00e7\u0131s\u0131ndan benzersizdir. SANA muhabiri, kendi ad\u0131na konu\u015fan, ya\u015fayan bir tarih olu\u015fturan bu farkl\u0131 sanat hakk\u0131nda …<\/p>\n","protected":false},"author":41,"featured_media":297137,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[516,511,17988],"tags":[40903],"class_list":["post-297136","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-haberler-kultur-ve-sanat","category-kultur-ve-sanat","category-son-haberler","tag-suriye-ikonu-kendi-adina-konusan-yasayan-bir-tarihtir"],"_links":{"self":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts\/297136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=297136"}],"version-history":[{"count":2,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts\/297136\/revisions"}],"predecessor-version":[{"id":297139,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/posts\/297136\/revisions\/297139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=\/wp\/v2\/media\/297137"}],"wp:attachment":[{"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=297136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=297136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.sana.sy\/tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=297136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}